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I am a materials handler. Earth. Water. Fire. Air. I want my hands and emotions deep into the stuff of matter. I use whatever works to communicate what I need to say. I’ve been working with clay since I was a teenager. The first ceramics class I took used molds and we painted glaze on the pieces. I was doing photography at the time and using molds seemed akin to having a negative and producing the same thing over and over. The repetitive process fascinated me; making the same thing different all the time.


I began working in glass at Pilchuck Glass School in 1997. I was invited to be a teaching assistant for a kiln casting workshop because of my experience with mold making. Working in clay or wax and transforming an object into glass seemed alchemical, magical and shamanic. I found myself drawn to the hot shop and the roar of the furnace. I had to get closer to the fire, the hearth, the ultimate element of transformation. I started hot casting, ladling molten glass into sand molds. I love the immediacy of the process. It captured my spirit. I ended up teaching hot casting at Pilchuck for three summer sessions.


Working with clay and glass is a demanding and unpredictable process; part magic, part science. It suits my nature.

SITE SPECIFIC (click on images for more info)

INSTALLATION ART (click on images for more info)

CERAMICS (click on images for more info)

GLASS (click on images for more info)